’Cause I’m about 10 years older than Puffy, so I was really professional. That was one of the things that kind of helped me to bond with the whole project. I mean, Goddammit, Wilona! What the fuck you doing?! I was way, way up in it. You should let me try that.” I went in there and I screamed. And they’re like very stiff-sounding: “God damn it, Wilona.” And I’m like, “Yo Puff, I am an angry Black man. I was engineering and a couple of guys who were just hanging around went in and tried to do that part. I was there, Puffy was there, Biggie was there. And the reason that they used me is because three guys had gone in and tried, I forgot who. And the guy at the end, the guard that lets them out of jail and says, “You’ll be back,” that’s me also. ![]() That “Wilona, what the fuck you doing? You can’t control that goddamn boy!” That was me. “Prince” Charles Alexander First of all, I’m the father on the intro. ![]() He said he wanted “Rapper’s Delight,” Audio Two’s “Top Billin’,” “Superfly.” We had “Got To Give It Up” by Marvin Gaye, probably for sampling reasons. He just gave me a list of records that he wanted and I brought them back to him. Easy Mo Bee The whole story line for the album-starting in the beginning when you hear the robbery happening on the train and “Rapper’s Delight” in the background and everything-that was Puff’s concept: to create a story line for the album.
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